Is the 5D Mark II a 30 fps still camera?

So are you dreaming of shooting sports at 30 frames per second at 1/4000th shutter speeds? Well now you can with the Canon 5D Mark II and the updated firmware 1.1.0 which allows for manual exposure control in video mode. The tough part will be finding the balance between using a high enough shutter speed to freeze the action and trying to keep your video smooth which is accomplished at the slower shutter speeds. But what if you don’t care about the video and only want to frame grab? Might be good cases for that. Like maybe the backswing of a golfer? Tennis? Baseball (at the plate)?

What else might this be good for? You can’t count on the auto focus tracking a subject while shooting in video mode, so I wouldn’t expect football, soccer or basketball to work well.

Ah, but it’s cheating, you say? I say no. It’s using a tool. If a Mark III could shoot 30 frames per second, I’m betting no one would complain.

I shot a little test video of my pigeons being released in my backyard using two 5D Mark II’s shot at slow and fast shutter speeds. Hopefully you can see the difference in the video quality: The higher shutter speed producing jumpy, flickery video and the slower shutter speed providing a smoother look.

Canon 5D Mark II frame grabs at high shutter speeds from David Stephenson on Vimeo.

You can download the frame grabs to see the difference up close. They were captured in Final Cut Pro.

Canon 5D Mark II tip sheet

I prepared this document ahead of the 2009 NPPA Multimedia Immersion program held in Las Vegas in June.

In it you will find tips and do’s and don’ts based on my experience with the Canon 5D Mark II. It is current with the most recent firmware upgrade, 1.1.0.

Included is:

Pros/Cons of the camera

Exposure control

Working with Audio

Focusing

Accessories

Shooting workflow

Final Cut Pro workflow and export settings

Testing the manual exposure controls for Canon 5D Mark II firmware update

Canon released a major firmware update 1.1.0 for the 5D Mark II on June 1, 2009, which will finally allow users to have manual exposure control while recording video.

I tested out the new controls and have found them to be easy to use and very functional. One interesting surprise is the increase in available shutter speeds. Previously, the camera limited shutter speeds from 1/30th to 1/125th. Now, shutter speeds up to 1/4000th can be used in manual exposure mode. It’s unclear where the shutter speeds will top out when in one of the automatic modes since you can’t see your exposure settings in those modes.

To use the manual exposure while recording video, you must have the camera set in Manual (hello Mr. Obvious). I use the top control dial to change the shutter speed and the rear control wheel to change my aperture. You can see your exposure changes on the LCD screen and you can see your shutter speed, aperture and ISO settings as well.

If you have your ISO set to AUTO, though, then the camera reverts back to a kind of automatic exposure setting even if you are in Manual exposure mode. What happens is this: if you are setting your aperture and shutter speed and you have ISO set to auto, then the camera automatically adjusts the ISO up and down to give you a correct exposure. This will not allow you to over- or under-expose your image until you max out the range of the ISO. And you won’t be able to use exposure compensation, either. So I would advise NOT using the ISO AUTO setting while in manual exposure mode – kind of defeats the purpose.

Here are some other tips I have found to be true with this firmware update:

• If you use the shutter or aperture priority modes, the camera will go into a modified auto exposure mode – you won’t really be giving priority to the shutter speed or aperture. It appears that it reverts to the old way of auto-exposing but it’s hard to verify that.
• If you set the ISO to “AUTO” and are in manual exposure mode, you can see the ISO numbers on the LCD by pressing the AE lock button (asterisk) or tapping the shutter button. By default, it appears that the display will show ISO AUTO until you press one of those buttons.
• When using manual exposure mode, AE lock and exposure compensation cannot be set (’cause, well, your manual settings are doing that for you).
• If you set the ISO to “AUTO” when shooting movies in manual exposure mode it is possible to set the aperture and shutter speed and the ISO will adjust for the exposure. So this amounts to having combo Aperture/Shutter Priority mode.
• When ISO is set to “AUTO” the range will be 100-6400 even if the ISO expansion is set.
• When manually setting the ISO and enabling ISO expansion range will include H1 (ISO 12800).
• Shutter speed range will be 1/30 – 1/4000 sec.  The faster the shutter speed the less smooth the subjects movement will appear to be.
• If “screen setting” is set to “stills display” or “exposure simulation” manual exposure for the movie mode will not be possible.

Canon releases firmware update for 5D Mark II allowing manual exposure in Video recording

Canon has now released their firmware update which will finally allow users of their 5D Mark II camera to have manual exposure control when recording video.

Includes a function to enable the manual exposure setting when shooting movies.

*When shooting movies in manual (M) mode, the shutter speed *1, the lens aperture value *2, and the ISO speed *3 can be freely set to allow a greater flexibility.

Notes:
*1 Shutter speed range: 1/30 sec. to 1/4000 sec.
*2 Lens aperture range: Maximum to minimum aperture value of the lens used
*3 ISO speed range:
Auto: ISO 100 to 6400 set automatically
Manual: ISO 100 to 6400, H1

That’s fantastic news for most of us who have had to master the art of trickery and MacGyverism to get the camera to expose the way we want it to.

I’ll be sure to report back after using it.

Firmware upgrade will add manual exposure to 5D Mark II video

I received an email from our Canon rep, Mary Mannix, delivering the much-needed good news that the Canon 5D Mark II will finally be given manual exposure controls for it’s video mode via a firmware upgrade coming in “early June”.

With the popular request for manual exposure control within video for the EOS 5D Mark II, Canon U.S.A. Inc. will be releasing a free firmware upgrade in early June. The upgrade will enable users to have manual exposure controls while shooting video, including ISO, aperture, and shutter speed. The manual exposure control in video on the EOS 5D Mark II is expected to make a huge impact with photographers. –Mary

Here’s the link to the press release. I’ll be sure to review it here shortly after it’s debut.

The General

The General from David Stephenson on Vimeo.

The day after it was officially announced that I would be “voluntarily laid off” at the Lexington Herald-Leader, I received an email from Craig Duff, a multimedia director at Time.com. The timing seemed more than coincidental. My primary profession post-Herald-Leader would be that of photojournalism advisor/coach/cheerleader/pot-washer at the Kentucky Kernel. But to keep my shooting appetite whetted, I plan to ramp up the freelance and work on some selected projects that have been rattling around in my head for some time.

On my to do list among many other things: Start networking the national news outlets – the ones I’ve worked for in the past, and a whole slew of others – to let them know I’m available and looking for some shooting and multimedia work. So imagine my delight at seeing an email from a multimedia director from Time.com. Craig had seen the Turtle Man video that Amy Wilson and I had produced and wanted to talk about it. At the end of his email, he mentioned a possible interest in a piece previewing the Kentucky Derby. Doubly odd about his timing was the fact that I had that very day posted the Keeneland Blossoms video which previewed the spring meet and Keeneland Race Track.

After a brief discussion with Craig, I decided I would attempt a video based on the outcome of the Blue Grass Stakes race at Keeneland. So I spent the day at Keeneland focusing on the favorites. Naturally, they didn’t win. An underdog named General Quarters, owned and trained by Tom McCarthy, won the Blue Grass Stakes and was headed for the Kentucky Derby.

After the race, I made contact with Tom’s son and asked if I could come back for an interview in a couple of days. Three days later, Amy and I were at the stall of General Quarters on the backside of Churchill Downs. We shot Mr. McCarthy working through his regiment with the General, which took about four hours. The horse wasn’t ready to go out to the track that day, so I came back a few days later to shoot the General on the track.

Amy did a great job of writing – as usual. Our goal, whenever we work on a piece together, is to be as complete as we can in the time we have. While our videos tend to be a bit unconventional, I like them for that. As I’ve become more and more accustomed to working with the 5DMKII, I’m realizing why I like it so much. It is allowing me to “see” much the same way I looked at things when shooting stills.

Only now, the photos move.

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Some technical stuff about the video:

All shot with the Canon 5D Mark II

70-200 f/2.8 with 1.4 teleconverter

24-105 f/4

300 f/2.8

Interview mic was Sennheiser wireless lav

Ambient sound from the track and bath was recorded with the Sennheiser MKE 400

Gitzo carbon fiber tripod with Gitzo 2180 fluid head

Glidecam 2000 HD steady cam

Really Right Stuff plates allowed quick switching between tripod and steady cam

Neutral density filter

Edited in Final Cut Pro

Keeneland blossoms into spring

Before the sun is up, horses are on the track. Riders in thick jackets and leather chaps ease them up the stretch and gallop them back down, around the turn. Hooves pound. Puffs of steam pour from big nostrils. The grandstand casts a giant shadow, holding winter’s last chill.

READ TOM EBLEN’S FULL COLUMN HERE

This video was shot with the Canon 5D Mark II on a beautiful morning before the Keeneland Race Track 2009 spring meet was to open in Lexington. I used the 24-105 f/4 IS and the 70-200 f/2.8 with the TCEII teleconverter. All shot with a Gitzo tripod and 2180 fluid head – with one exception: there is a brief shot where I used a Glidecam 2000 steady cam. First time I’d used it – need to practice!!

I love shooting at Keeneland – who doesn’t, really? This was the first chance I had to shoot at Keeneland during a race meet with the 5D Mark II. Weather was good, light was nice, time was right. I got out at the track before sunrise with no intent other than to just shoot and see what came out of it. I shortly ran into HL photog Charles Bertram (no big surprise there – he was working on a daily piece for the paper to preview the opening day of the meet).

Not long after that, I spotted HL columnist Tom Eblen shooting photos. He’s a darn good photographer and shoots his own photos to go with his column. After he gave me the general idea of what he was doing, it seemed to fit perfectly with what I was shooting. A few hours later at lunch time, I recorded him reading his column. I kept the beginning and the end as they were, and spliced up the middle to fit my clips and for brevity.

The Road to Recovery

In February, reporter Amy Wilson and I took a day-long road trip into Western Kentucky to see how folks were coping two weeks after what was perhaps the worst ice storm in modern history.

It’s a bit of a departure from what I usually produce on a news assignment. The editors came to Amy and said “Take David and go to Western Kentucky and do what you do.”

We weren’t exactly sure what that meant. But we decided that the drive, the people, the journey would be the story, no matter what we found – the story would present itself. And it did. It’s an unconventional piece for a very unconventional day.

Shot with Canon 5D Mark II, 24-105 f/4 and 300 f/2.8. Audio was recorded with the the Sennheiser MKE 400. Edited in Final Cut Pro. I was very happy with the MKE 400 microphone that day.

Below are some frame grabs from the day. The photo of the white house and the storm clouds was published six columns inside and was beautiful.

Lessons in life and basketball

Update: Coach Sallee passed away today, Jan. 23, 2009. I will try to think of his positive message as often as I can.

•••

East Jessamine Coach Ralph Sallee, while battling late-stage cancer, kept teaching lessons in life and faith while bringing his girls’ basketball team closer.

This is the second video I’ve shot and produced using the Canon 5D Mark II. It started with reporter Mike Fields asking the well-known and much-loved coach if he’d be willing to talk to us about his fight with cancer. I thought it might make for a nice video and I knew I could get good frame grabs for the paper.

I lit the interview and recorded it using the 70-200 2.8 IS on a tripod. The light was a single White Lightning 800 with a large softbox. The modeling light was the source, so I set the white balance to incandescent.

We arranged to shoot his next practice for some b-roll and so I could interview some of his players. This all was happening right around Christmas break, so I couldn’t shoot a game for nearly three weeks. The third time I photographed coach Sallee was during his team’s rivalry game against West Jessamine.

Each time, coach let me put my Sennheiser wireless lav on him which worked out quite well for the audio. In the loud gym during the game, it peaked out a few times, though.

Production in Final Cut Pro went very smoothly this time now that I have all my settings worked out.

Overall, I think the video came out pretty well. I’m happy to be able to give Coach Sallee a voice and to document a place and time in his life that I hope they will cherish.

The full story can be read on Kentucky.com.

Many thank-yous to coach, his wife and family for letting us tell his story.

2008 Year in Review

Here’s a video of my favorite images from 2008.

If you like this kind of stuff, check out my 2007 vid.

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